Christ's struggle is already over. He seems to be staring at the cup. The disciples are far in the background. The Saviour kneels, untouched by the raging storm; only His hands, ready to receive the chalice, reveal emotion. Dürer is as inventive as ever. This drawing too gives the impression of a tough and impetuous pen drawing rather than an engraving and already takes advantage of the etching technique in order to blend the clair-obscur effects of the preceding phase with the expressive literalism and grand pathos of the Large Passion. The plate of this etching is preserved at the Staatsbibliothek in Bamberg.